Iona Joy - Creativity is taking risks | Emc易倍体育

Emc易倍体育

Iona Joy - Creativity is taking risks

27 Jan 2020 / Our People
By Emc易倍体育 UK
Senior Project Manager Iona Joy in Emc易倍体育 Head Office

With everyone talking about the spook-tacular success of BBC One鈥檚 infamous Dracula billboard, this month we thought we鈥檇 take a behind-the-scenes look, and hear from one of the individuals responsible for its planning and success. As a Senior Project Manager in Emc易倍体育鈥檚 Create team, Iona鈥檚 role involves her organising the planning and installation of some of the most ambitious and creative advertising installations. She told听us a bit about how the campaign came about, and her role within the Create team.

Starting initially at OOH media owner, JCDecaux, Iona has since worked across different forms of advertising campaign production, including a stint in press, before moving to the Emc易倍体育 Create team three years ago.

鈥淚 work on the delivery side of the team, working with the producers to help manage and bring amazing creative installations and campaigns to life. We work closely with other creative solutions teams across the industry, and although a lot of briefs we receive are often fully formed ideas, we do also sometimes have people come to us with just a concept and we have the fun job of brainstorming and seeing how we can turn it into an amazing Out of Home campaign. No day is really the same, which is what I love about the role, and the variety of briefs and concepts we get to work on leads to some really creative ideas.鈥

A truly unique Out of Home idea that Iona and the team have worked on recently is the widely acclaimed BBC One Dracula billboard that caught everyone鈥檚 attention at the start of this year. The fang-tastic installation featured a number of 3D fake wooden stakes driven into the billboard, which when illuminated at night cast a realistic shadow of Dracula鈥檚 face.

鈥淭his was an incredible campaign to work on鈥 Iona explains. 鈥淎ll the credit goes to the BBC Creative team who came up with the concept, but our team had the interesting job of managing the installation and execution. It was a very complex project with lots of little things to think about, but it was a great challenge. We went through lots of different planning stages, and created several mini prototypes which was really fun for everyone involved.鈥

鈥淭he campaign ended up looking incredible and the response has been amazing. I think the time-lapsed video of the campaign going from day to night has been viewed more than seven million times on social media.鈥

"...I do feel that being a bit 鈥榯ongue and cheek鈥 is very in right now..."

Iona puts the success of the campaign down to the fact that the BBC team had a clear idea and creative concept.

鈥淚 think the reason the BBC team are doing so well at the moment is due to the fact that the team are really looking at ads from a very artistic angle. You can see this with the Dracula campaign using shadow artistry, or with their recent Living Globe installation in Kew Gardens, ahead of last year鈥檚 Seven Worlds, One Planet documentary. These types of things can be a real risk, but in their case it totally pays off.鈥

We asked Iona how important she felt risk was in planning truly creative Out of Home campaigns.听

鈥淚t鈥檚 interesting; after the Dracula installation I had lots of people calling me, asking me if we could do something similar, but obviously that wouldn鈥檛 work 鈥 you have to do something new. So I think taking a risk is a hugely important factor in ad creativity, but it has to be original and true to your brand story. Brands like O2, and Burger King are doing really great work at the moment which is bold and daring, but it鈥檚 consistent with their brand messaging. I do feel that being a bit 鈥榯ongue and cheek鈥 is very in right now, but the best creatives will always be able to stand out from the crowd and still stick with their brand voice.鈥

"Anything is possible, if it鈥檚 within budget.鈥

Staying on creativity, we finished by asking Iona if the trend of advertisers now focusing more on sustainability had affected how her team plans campaigns.

鈥淲e鈥檝e actually definitely seen more and more clients asking about our suppliers and how environmentally friendly we can be when we鈥檙e making campaigns. Especially with special builds, which often involve lots of plastic, so we鈥檙e already looking at ways to reduce our impact and the amount of landfill waste. Some clients even want to go further; seeing if there are ways to make entire projects eco-friendly, down to the electric cars supplying the materials. Anything is possible, if it鈥檚 within budget.鈥

鈥淚t鈥檚 a really interesting time to be working in. Oddly, I think that this focus on alternative eco solutions, and looking at new recyclable materials will actually end up opening new and exciting avenues for campaign creativity. It also fits perfectly with Clear Channel鈥檚 Platform for Good commitment, and hopefully stretch people鈥檚 imaginations to think about what could be truly possible with Out of Home if they鈥檙e willing to take the risk.鈥


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